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URSA Mini Pro 4.6K G2 is a next generation digital film camera with updated electronics and a high performance 4.6K HDR image sensor for shooting at up to 300 frames per second. You get a Super 35mm 4.6K sensor with 15 stops of dynamic range, built in optical ND filters, interchangeable EF lens mount that can be swapped for optional PL, B4 or F mounts, Blackmagic RAW and ProRes recording to dual CFast or dual SD cards, and an innovative USB-C expansion port for recording directly to external disks. In addition, URSA Mini Pro 4.6K G2 features a massive set of external broadcast style controls, backlit status display, foldout touchscreen monitor and more!
Digital Film Quality for Every Project
The perfect camera for digital film,broadcast, live production and more!
URSA Mini Pro cameras are “three cameras in one” because they combine high end digital film quality with the features and controls broadcasters need. They’re ideal for any kind of work from high end feature films, television shows and commercials, to independent films, broadcast news, and even studio and live production! URSA Mini Pro cameras go beyond standard Ultra HD broadcast quality because they give you 4.6K resolution with 15 stops of dynamic range. Plus, the super wide color gamut and Blackmagic Design Generation 4 color science give you incredibly accurate skin tones and stunning, lifelike color so you always capture cinematic quality images. The super compact body features broadcast camera controls and advanced operating software that make it faster to set up and use than any other camera! Whether you’re on set, on location or shooting run and gun, URSA Mini Pro has the image quality and features you need to work on any type of project!
URSA Mini Pro cameras are “three cameras in one” because they combine high end digital film quality with the features and controls broadcasters need. They’re ideal for any kind of work from high end feature films, television shows and commercials, to independent films, broadcast news, and even studio and live production! URSA Mini Pro cameras go beyond standard Ultra HD broadcast quality because they give you 4.6K resolution with 15 stops of dynamic range. Plus, the super wide color gamut and Blackmagic Design Generation 4 color science give you incredibly accurate skin tones and stunning, lifelike color so you always capture cinematic quality images. The super compact body features broadcast camera controls and advanced operating software that make it faster to set up and use than any other camera! Whether you’re on set, on location or shooting run and gun, URSA Mini Pro has the image quality and features you need to work on any type of project!
Interchangeable Lens Mounts
Compatible with EF, PL, B4 and F mount lenses!
Different projects require different lenses, which is why URSA Mini Pro G2 feature an interchangeable lens mount. Imagine shooting regular work using a photography lens but then being able to change to a PL mount cinema lens if you get a high end film job. URSA Mini Pro makes that easy because you can quickly switch between EF, PL, B4 and F mount lenses, making it compatible with the widest possible range of professional lenses. That means you can work with high quality EF or F mount photographic lenses, large PL cinema lenses, and even B4 broadcast lenses, all with the same camera! URSA Mini Pro comes standard with an EF mount. Additional optional PL, B4 and F lens mounts can be purchased separately. With URSA Mini Pro, you get a single camera that works with virtually all professional lenses so you can choose precisely the lens you need!High Frame Rate Recording
Capture the action at up to 300 frames per second!
URSA Mini Pro 4.6K G2 is a more powerful second generation camera with entirely new electronics and a new high performance image sensor that lets you shoot crystal clear slow motion footage. You can record full sensor 4.6K images up to 120 frames per second, windowed DCI 4K at up to 150 frames per second, and regular windowed 1080 HD at an amazing 300 frames per second. A dedicated off-speed button on the camera’s body lets you quickly switch between your preset high frame rate and regular frame rate shooting! When it comes to high frame rate shooting, URSA Mini Pro 4.6K G2 is ideal for fast action sports, high speed nature photography and more!
Expansion Port
High speed USB-C connection for direct external recording!
URSA Mini Pro 4.6K G2 features an innovative high speed USB‑C Expansion Port. USB‑C is quickly becoming standard on all modern computers and devices. The massive bandwidth of USB‑C makes it possible to connect external accessories such as flash drives and SSDs for significantly longer recording times. This can be important when shooting high quality lossless 12‑bit Blackmagic RAW or high frame rate 300 fps images. Best of all, when you’re done shooting you can use the same drive for editing and post production!
Professional Connections
Full size, durable connections that work with standard cables
Blackmagic URSA Mini Pro G2 features multiple connections such as 12G‑SDI out, HD-SDI monitoring out, 2 LANC inputs, balanced XLR audio with phantom power, timecode in and reference input. On the front right side of the cameras is a 12 pin Hi-rose control connector for broadcast lenses. There’s also a 4 pin XLR DC output and an HD-SDI monitoring output that are located in the perfect position for connecting an optional viewfinder or on set monitor. The 12G‑SDI output handles all formats up to 2160p60 using a single BNC cable, and also switches to 6G‑SDI or HD‑SDI depending on the shooting format.
Includes DaVinci Resolve Studio
Professional editing, visual effects, color correction and audio post!
Professional editing, visual effects, color correction and audio post!
URSA Mini cameras include a full version of DaVinci Resolve Studio, which is a complete post production solution. You get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television productions, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, color correction, effects, audio and delivery, so your video always looks as good as possible!
| Image Sensor | |
| Sensor Type | CMOS |
| Advertised Dynamic Range | 15 Stops of Dynamic Range at 3200 ISO |
| Camera | |
| Lens Mount | Canon EF |
| Lens Communication | Yes |
| Built-In ND Filter | Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters |
| Built-In Microphone Type | Stereo |
| Recording Media | 2 x CFast 2.0 Card Slots 2 x SDXC UHS-II Card Slots |
| Internal Recording | |
| Raw Recording | Raw 12-Bit: 4608 x 2592 at 23.98/24/25/29.97/30/50/59.94/60/120 fps 4608 x 1920 at 23.98/24/25/29.97/30/50/59.94/60/120 fps 4096 x 2304 at 23.98/24/25/29.97/30/50/59.94/60/120 fps 3840 x 2160 at 23.98/24/25/29.97/30/50/59.94/60/120/150 fps 3072 x 2560 at 23.98/24/25/29.97/30/59.94/60/120/150 fps 2048 x 1152 at 23.98/24/25/29.97/30/50/59.94/60/120/150 fps 2048 x 1080 at 23.98/24/25/29.97/30/50/59.94/60/120/150 fps 1920 x 1080 at 23.98/24/29.97/30/50/59.94/60/300 fps |
| Recording Modes | ProRes 4444XQ 4:4:4 12-Bit: 3840 x 2160p at 23.98/24/25/29.97/30/50/59.94/60/120 fps (312.5 MB/s) 1920 x 1080p at 23.98/24/25/29.97/30/50/59.94/60/120/240 fps (62.5 MB/s) ProRes 422HQ 4:2:2 10-Bit: 4608 x 2592p at 23.98/24/25/29.97/30/50/59.94/60/80 fps 4608 x 1920p at 23.98/24/25/29.97/30/60/80 fps 4096 x 2304p at 23.98/24/25/29.97/30/50/59.94/60/80 fps 4096 x 2160p at 23.98/24/25/29.97/30/50/59.94/60/80 fps 3840 x 2160p at 23.98/24/25/29.97/30/50/59.94/60/120 fps (110 MB/s) 3072 x 2560p at 23.98/24/25/29.97/30/50/59.94/60/80/120 fps 2048 x 1152p at 23.98/24/25/29.97/30/50/59.94/60/80/120 fps 2048 x 1080p at 23.98/24/25/29.97/30/50/59.94/60/80/120 fps 1920 x 1080p at 23.98/24/25/29.97/30/50/59.94/60/120/240 fps (27.5 MB/s) |
| External Recording | |
| Raw Output | USB: 4096 x 2592 at 60 fps 3840 x 2160 12-Bit at 60 fps 1920 x 1080 12-Bit at 30/60 fps |
| Interfaces | |
| Video Connectors | Total Video Inputs 1 x SDI Total Video Outputs 1 x SDI, 1 x SDI Monitoring. |
| Audio Connectors | Analog Audio Inputs 2 x XLR analog switchable between mic, line and AES audio. Phantom power support. Analog Audio Outputs 1 x 3.5mm headphone jack, supports iPhone microphone for talkback. |
| Other I/O | eference Inputs Tri-Sync/Black Burst/Timecode. Remote Control 2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses. Computer Interface USB Type-C 3.1 Gen 1 for external drive recording and software updates. |
| Wireless Interfaces | Bluetooth Control |
| Display | |
| Display Type | LCD |
| Screen Size | 4" |
| Touchscreen | Yes |
| Screen Resolution | 1920 x 1080 |
| Packaging Info | |
| Package Weight | 3.5 kg |
| Box Dimensions (LxWxH mm) | 376 x 220 x 200 |